Swimming with the Blowfish: Hootie, Healing, and the Ride of a Lifetime

The ultimate front-row seat to the rise, fall, and rebirth of a band that was--for a time--the biggest in the world, Hootie & the Blowfish, and Jim Sonefeld's shattering and redeeming spiritual path from addiction to recovery and a more fruitful life. For a time, there was no bigger band in the world than Hootie & the Blowfish--rock & roll's unexpected foil to the grunge music that dominated the early 90s airwaves.

An Outkast Reader: Essays on Race, Gender, and the Postmodern South

"OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post-civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own.

Fly Away: the Great African American Cultural Migrations

The Great Migration, the mass exodus of blacks from the rural South to the urban North and West in the twentieth century, shaped American culture and life in ways still evident today. The authors trace the ideas that inspired African Americans to abandon the South for freedom and opportunity elsewhere. Black Southerners fled the Low Country of South Carolina, the mines and mills of Birmingham, Alabama, the farms of the Mississippi Delta, and the urban wards of Houston, Texas, for new opportunities in New York, Pittsburgh, Chicago, and Los Angeles.

Encyclopedia of the Black Arts Movement

The Black Arts Movement (BAM) encompassed a group of artists, musicians, novelists, and playwrights whose work combined innovative approaches to literature, film, music, visual arts, and theatre. With a heightened consciousness of black agency and autonomy--along with the radical politics of the civil rights movement, the Black Muslims, and the Black Panthers--these figures represented a collective effort to defy the status quo of American life and culture.

Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army”

Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways.